On
27 October 2025 at 09:49 Bo’sun Said:
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digital photography has a lot to offer, but it’s all too easy to go snap, snap, snap and just pick the best image(s) without much thought to composition, etc. … Traditional photography forces you to slow down, study and compose your subject before taking the shot. …
Sorry but I disagree. Cameras should allow photographers to capture images in the easiest way possible, not hold them back. Not thoughtlessly going snap, snap, snap is a matter of technique and training, and it’s a valid method , much used for ‘in the moment’ photography, where the action is very quick, and there’s no time for composition.
I found composing valuable for product photography, as done when a product will be advertised in a glossy magazine or on a 10m hoarding. But it fails miserably at weddings because people develop fixed grins, look bored, or move whilst waiting for the photographer to line up his ducks.
War photographers were obliged to carry 3, 4 or more cameras, often fitted with power winders, to overcome film shortcomings, which were legion. This chap carries 3 ready for action: one with a telescopic lens for distant shots, and two with the same close work lens simply because 36 exposures wasn’t enough. When the shooting started, he took lots of photos and only sold the best.

Digital cameras outperform film across the board. Their sensors are faster than firm, and have higher resolution, colour range, and contrast. Plus, images can be processed in-camera for extra benefit: scene recognition, auto focus, frame stacking, and much else. Back at base photo-editing software like Darktable, Photoshop, gimp and others, are considerably more powerful than developing with chemicals, and edits can be undone if you mess up. Almost everything in the image can be tweaked: enlargements, fixing blemishes, correcting lens distortions, correcting white balance and much else.
Smart phone cameras are remarkably good, giving all but the very best film photography a run for it’s money! Not necessary for smart phone users to understand film speed, exposures, aperture, or shutter speed etc, nor does it help much if you do. Unless something special is going on, let the camera sort out the details, whilst the photographer concentrates on the subject. The camera can store thousands of images, all dirt cheap, so just keep clicking, and select the good ones. Or record videos. The average quality of photography is much higher than before, not least because it’s been deskilled.
The downside from a film photographers point of view is having to learn computer skills, which ain’t easy late in life.
Model Engineering is one of the few exceptions where old school skills are still valuable. Shiny metal objects that move are difficult to photograph well. A camera on a tripod with controlled lighting, backgrounds and manual settings will do better than snap, snap, snap , provided the photographer knows his stuff. Nonetheless, many of the pictures on the forum and in the magazine are “good enough” despite being taken without doing anything special.
My uncle was dead against pocket calculators. Thought civilisation would end unless everyone was good at mental arithmetic. He bought one when VAT was charged at 17.5%, or ⁷⁄₄₀ …
With few exceptions most old technology becomes worthless because better is available or circumstances have changed. Sadly many of the skills learned in my youth have become useless. Being able to do £sd, work a slide-rule, typewrite, change a car’s points, repair valve TV sets, press Button B, and jump on the back of a bus; all gone! Gas lighting, trams, Hat Shops, 2LO, constipation remedies, horse transport, Nutty Slack, Telegrams, and dressing for dinner are all before my time!
🙂
Dave