Re-engaging a thread is a right pest at the best of times. On a baby size one like that it is essentially impossible to sufficient accuracy unless you are set-up for micro work with a suitable lathe and magnifying gear so you can see whats going on. I like the digital microscope idea discussed on another thread for helping visibility.
Jasons replaceable bush idea will work well but, like so many other precision things it needs some practice to get the technique reliably sorted. I’ve always reckoned three goes are needed before I have a technique “sufficiently different to me for practice to be needed” but similar to what I’ve done before sorted.
I used the Zero-to-Zero thread cutting method which both guarantees thread cutting to what you set on the machine but also permits minor adjustments with absolute repeatability. Given that its very, very easy to start with a length of rod turned down to the correct diameter and make a series of test pieces chopping off each failed variation before adjusting the machine settings and trying again. Once you have the correct settings on the machine the result is absolutely repeatable down to the limits of your skill and the machines repeatability.
The only disadvantage of Zero-to-Zero is that it does need adjustable dials on the slides for rapid, easy, use. But it can be done with fixed dials by writing down a table of positions.
Short version of the technique starting with workpiece turned to size :-
1) Set top-slide to just under the thread half angle, I use 25° for everything.
2) Set tool perpendicular to workpiece.
3) Run cross slide forward until tool touches workpiece.
4) Set both dials to zero, or note positions if you have fixed dials.
5) Pull tool back a bit so it doesn’t scratch the job and move the carriage sideways past the end of the workpiece.
6) Run cross slide forwards from your start position, zero or noted reading, to the depth of the thread you wish to cut.
7) Re-set cross slide dial to zero or note new position with fixed dials.
8) Pull back top slide to clear workpiece and move up to start position.
9) Apply appropriate cut to topslide and make first cut.
10) Pull back cross slide, move saddle clear of workpiece and move cross slide back to zero on the dial or your noted fixed dial position.
11) Apply next cut to topslide
12) Rinse and repeat until both slide positions read zero, or your noted fixed dial positions.
13) Work out spring cuts without adjusting slides.
14) When spring cuts no longer remove material job is done and the thread you have is the thread you set.
Which may or may not be right.
If the fit is poor adjust the finish position on the topslide to suit. Either in if tight or out if loose and try again.
If I’m doing a batch I’ll get the first test piece right, so the topslide dial records the changes I’m making, then adjust the zero position on my topslide dial. All the rest done Zero-to-Zero will be as close to identical as can be measured in a home shop.
The explanation reads complicated but it’s fast to do and reliable.
As has been said earlier the common problem with home ground single point tools is incorrect tip shape. Getting the tip just so is hard without more gear than most of use have. Zero-to-Zero easily lets you compensate. With a full form insert the results are dead nuts straight off.
But that’s basically cheating for folk like us.
There is no special magic about Zero-to-Zero. The whole point is that “what you get is what you set”. The technique merely makes it easy to introduce known minor changes until what you have set actually gives you what you want. Doing your thinking and setting before you start cutting makes life easier and less stressful.
Skilled folk can do the same thing on the fly with random dial settings, even down to doing it all on the cross-slide, but its easy to loose track. I can do it on the fly if seriously in the mood but prefer the easy life with Zero-to-Zero.
Clive