Hi again,
I find discussing painting techniques most interesting as it is a subject dear to heart. I first tried to ‘put a finish’ on a model aircraft just as I joined the army. It will probably make you smile mgj when I say it was confiscated because and I quote “When your boots are like this you can ‘ave it back. Courtesy of fierce Corporal Hammond. It disappeared to be handed back on Passing Out day. (I did find it well hidden in a cupboard and worked on it in secret for a while but it was too nerve racking in case ‘he’ came in and you didn’t mess with ‘Hammy’. Ha ha, happy days.
Since then I have painted a lot but my experience is basically limited to model aircraft and the odd model boat and mainly with cellulose based products. I have never, for instance had to paint largish sheet metal areas and have had little experience of spraying other materials other than what has been mentioned.
However, anyone remember ‘Brushing Belco’ ? This cellulose paint was supposed to be brushable but any solvent based paint remelts the previous layer and it’s extremely difficult to brush. Despite it’s title Belco suffered the same way. Someone, not sure who, showed me a technique with ‘Belco’ and that was to get it on as quickly as possible trying not to brush it out as this would – still will – lift the previous coat. Once a sufficiently thick layer had been obtained the tip was to take a very fine haired brush and loading it with neat thinner gently drag the thinner quickly across the area holding the brush near flat to the surface. The thinner would dissolve the layer and spread out the resultant surface near as smooth as spraying and high gloss. Too much thinner or to slow strokes normally meant a restart.
When first answering Hugh’s querie I did mention brush painting but upon rereading it decided that was not replying to the question so deleted it. I had mentioned warming the paint as you state John and mgj. Standing the paint on a radiator just before use or in a bowl of reasonably warm, not actually hot, water will improve the flow considerably but the real need for brush painting successfully is a really good and suitable brush. That does not neccessarily mean expensive but it does mean good quality. For model applications I have found the flat synthetic bristles artists brush far easier to apply a smooth coat than the conventional round brush found in most model shops. If you need really good brushes for this kind of application you can’t do much better than
these –
thoroughly recommend them but only as a satisfied customer so usual disclaimer
My early attempts then were mainly brush painted enamels and based on many coats of colour on a thin substrate of dope and talcum powder. I knew of the technique of talc substrate but not the way to go about it. Lots of colour means lots of waiting for paint (enamel) to dry before being able to rub it down. It wasn’t until I took up flying aerobatic models competitively the weight factor really came into play and the technique of getting the substrate as flawless as possible leaving the (heavy) colour to be applied as thinly as possible began to become the norm. The accepted way to achieve this was to apply a light dust coat of silver over the dope and talc ‘primed’ areas. Silver shows up every single flaw which can be filled and then rubbed down again. This can and was repeated until the surface was ready for colour.
I’m reluctant to put a pic of model aircraft on here but as it’s relevant to the topic I guess no one will mind too much
This is a ‘Gieseke Nobler’ model that was built around the mid nineties. It is covered in conventional Japanese tissue and painted with ordinary car cellulose which was readily available at the time and sealed with two pack clear coat. The masking took far longer than the actual painting. Yes its all masked and sprayed, lettering as well. The wingspan is 50 something inches maybe 52 certainly no more
Total all up weight as pictured was 42 ounces. That’s reasonable for the size of model and the amount of paint! (The 42 on the nose is coincidental – that refers to the engine)
Masking on models is definitely done with finer tape than conventional DIY stuff. As you say Tamiya is about the best – that’s readily available at a model shop. If anyone happens on any tan coloured BETTO masking tape that’s even better – I’d like to know if you do as I haven’t seen any for a while now.
As an addition to mgj’s advice cut the tape thats going to mask the edge of the paint line as narrow as will take the masking ‘blanket’ eg newspaper or, even better, aluminium kitchen foil. This way the removal stresses on the paint below is kept to a minimum.
Heres another pic of the above model masked up for the red lines. It’s in my ‘spray booth’ which is temporarily tacked on to the workshop.
The masking tape visible is stuck to the narrow masking tape beneath. Time to mask this far
Edited By Ramon Wilson on 24/05/2011