I won't try a review. yes too many bits full of noisy schoolkids. I avoided the basement with a 'google experience'. the higher up you go, the quieter it gets, and the glass lift is eery in its silence but surprisingly non-vertigo inducing.
I was a sad to discover no Caerphilly Castle (as I had a three-rail Dublo Bristol Castle as a teenager).
I couldn't resist reacing out and toughing both 'Rocket' and the S6b.
The perspex screen played havoc with my eyes in the shrine to Watt.
The best thing was the joy of recognising things:
SE5a.
Snow Cat
Lockheed Electra
Engine off a Saturn V
Apollo 10 capsule
Puffing Billy
Watt beam engine with epicyclic drive
Maudsley's table engine
Trevethick's Dredging Engine
Miss England (over the moon to recogise the work of Hubert Scott Paine – and it's got a Napier Lion in it!) but no sign of Miss Great Britain (which I've made an RC model of).
ERNIE
Fordson F
H.S. P1227
Allcock & Brown's Vimy
Herschel's eyepieces (OK I didn't recognise these…)
Snow-cat.
Most amazing exhibit? 1950's Claude Butler racing bike in gleaming silver. It is amazing how mountain bikes have revolutionsed cycling and the rules on road racing bikes have frozen their development back then.
Finally, the scary bit is things from my own life that are now museum exhibits – Stylophone, Dinky Thunderbird 2 etc.
Shame is that it clearly was and is best at being, a museum of technology and the history of scvience, not a 'science museum'. The 'science' bits are just interactive kid fodder. I bet the 'history of cultivation' section is the least visited bit, is clearly ancient and up for the chop – yet it documents the most profound changes in how the human race has made its biggest impact on the planet – cultivating the wildnerness has wrought far greater changes than climate change has brought (so far).
Thought provoking, but sadly unless you know what you are seeing before you go there, I imagine most of it is just under-interpreted confusion with no coherent overall story.
Oh yes, it is also almost impossible to find your way around with maps that ignore changes in levels, minimal signage and meaningless exhibit names – presumably all designed to punish those who don't pay £5 for a programme.
Neil