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We can do without fancy / unusual fonts, just for the sake of it.
If the text is not easily visible and read, there is no point in using it.
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Agree with everything Howard says, but I suspect cock-up as much as conspiracy!
Changing font in days of yore was a major performance, so only done deliberately. All change! Today’s computers support many fonts at the click of a button, making it easy to use a special effect font and forget to turn it off. Another modern booby trap is software sent a document calling for a font that’s not available locally can automatically substitute another, and maybe the operator doesn’t notice!
Printing has changed enormously in my lifetime. Thousands of jobs gone! In the 1960’s Model Engineer had an enormous editorial team feeding a conventional manual typesetting print process. Grossly overstaffed by modern standards! However, as everyone was paid pennies, there were plenty of staff available to proof-read everything through each of many production stages. Not so now: far fewer people involved, and fewer stages. Unfortunately, the high-level of automation means small mistakes slip through. And these are very likely when major changes are made, as when merging two magazines.
What I’m seeing in ME&W is typical change. At first, many glitches, most of which are quickly fixed , thereafter a gradual improvement as lesser bugs are wrinkled out. So loads of font, format and colour problems in the first ME&W, far fewer in the latest.
My favourite reading fonts are all early. Bookman, Baskerville and Bodoni!
Oddly, I find serifs improve and reduce readability depending on the book. Possibly due to the nature of the paper – some smudge the ink slightly.
Dave